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World Cup 2026: competition is the game of all emotions

Targeting
By Targeting
4-minute read
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For many years now, the Football World Cup has claimed the top spot as the world's biggest sports event every four years, and it is undoubtedly a great celebration of international sport. From the gathering of national teams to the interaction between fans of different countries and the cultural exchange, it is experienced above all through the beauty and magic of its players.

The 2026 edition brings even more novelties, starting by being the biggest and longest of all time: there are 48 qualified national teams, including 10 African nations (the highest representation ever) divided into 12 groups, for 104 matches across three host countries (Mexico, Canada, and the USA), 16 official stadiums, during 39 days of competition.

For football lovers, there will be plays, drama, and goals to satisfy every taste. A handful of ingredients to make the event the most spectacular ever.

Around the world, in Africa, and particularly in Angola, the competition is experienced with the same fever; now that it has begun, there is already a dispute in the air among media companies that excites fans: the commercial war.

The country has two satellite television operators/distributors (DStv and ZAP) and, for the first time, both operators announced the acquisition of all broadcasting rights for the competition.

Traditionally, the football World Cup has been a DStv product, with the operator claiming until now the exclusive broadcast of the event in Angola, since the 2010 World Cup held in South Africa.

However, the numbers are different today. ZAP, a domestic operator and market leader with two-thirds of the registered subscribers, will broadcast all 104 matches, just like DStv.

And if the dispute stopped there, it would be a simple matter of preference. However, to ZAP's grand announcement, DStv responded with an aggressive commercial operation: it cut the purchase price of its equipment to 7,000 Kzs (previously 12,500 Kzs) and included the World Cup in its entry-level package, DStv Fácil: 3,700 Kzs/month, making the product, usually accessible to few, available to its broad customer base.

In response, ZAP also lowered the price of its equipment to 11,900 Kzs (previously 16,900 Kzs), announced the World Cup in its entry package, ZAP Mini, but with an added element: it makes a strong push for its installment payment plan, Tá Fácil, at 1,400 Kzs/7 days. DStv, meanwhile, pushes just as hard on its installment plan: 1,100 Kzs/7 days.

This conversation takes on particular interest because it places the battle for the customer at the center of business decisions, makes the market more dynamic, and highlights the virtues of having competition.

The conversation is not necessarily about goals or football, but rather about business plays that enrich the market, valuing the consumer and their scarce financial resources.

Another detail to consider is the value of the occasion. The World Cup only happens once every four years, and this year we are witnessing a commercial accelerator, sparked by the bold move of DStv's new owners, Canal+, democratizing access to premium content, and by ZAP's prompt response in consolidating its leading position.

In the end, it is the Angolan consumer who emerges as the main winner; they have access to rich content, available on both platforms, where the final choice will come down to the better appeal, consistency, and intensity in communication, and the value of each operator's services.

It is the power of competition. It is the market gaining value. It is the Football World Cup.

Cândida Bastos

Advertising Professional, Digital Strategist

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